A lengthy defense of Lil Wayne.
October 4, 2009
Now, you may have seen that stories floating around about how the smartest kids listen to beethoven and the dumbest listen to Lil Wayne. Well, what the stories don’t take into consideration is that the standard for a kid being “intelligent” was based on high school grades. And in my experience, that only barely correlates with grades. Secondly, kids who aim to appear smart will probably be more inclined to both listen to Beethoven and report it for the social rep. Basically, I’m saying that the study is more or less bullshit. That being said, Lil Wayne does have tons of stupid ass fans. But maybe that just means he’s clever enough to ensnare them all. And before you respond with something not-so-clever about how shitty he is, here’s WHY you should just swallow your words and concede the point.
First, you need to be open-minded when Wayne says he’s a “martian”, “misunderstood”, and tries to distance himself from the rest of mainstream hip hop. It is always valuable to give someone/thing the benefit of the doubt, the chance to argue their case, etc, before you pass judgement.
Second, you need to approach lyrics as you would poetry, literature, or anything else of the sort; with a critical eye, aware of potential, underlying meanings and subtle connections that may not be immediately or readily apparent. Think of songs and albums as chapters and volumes. Lil Wayne loves sound. He loves nonsense wordplay and non sequiter metaphors, religious references, ambiguous allusions, and streams of consciousness; surreal, non-linear, but with a method to the madness. But most of all, he loves combining all of the above and playing tricks on the pseudo-intelligent, disguising brilliance in plain sight underneath a veil of self-promotion and what those rapper folk like to call “swagger”. And all the while, he matches the beat like they’re soulmates. Or not, if that’s what he wants.
Third, keep this quote in mind: “Half of what I say is meaningless, but I say it so that the other half may reach you.”
Fourth, it helps if you smoke weed because you can better relate to the state of mind needed to appreciate this
Now I’m going to basically (over) analyze one of Wayne’s songs. However, I won’t even touch on things like flow, sound, or anything stylistic like that. Merely the lyrical content. And that’s where most of the criticism leveled at him aims at.
“Don’t Get It (Misunderstood)”
[Nina Simone]
Baby, you understand me now
If sometimes you see that I’m mad
Don’t you know no one alive can always be an angel
When everything goes wrong, you see some bad
[Chorus- Nina Simone]
But I’m just a soul whose intentions are good
Oh lord, please don’t let me be misunderstood
All right, so there’s the thesis; I’m just trying to do right, so “please don’t let me be misunderstood”.
[Verse 1- Lil' Wayne]
Uh, misunderstood ain’t gotta be explained
But you don’t understand me so let me explain (heh heh)
This opening is, obviously, a play on the idea of understanding. Everyone knows what that means, but since the listener doesn’t understand Wayne, he’s going to explain.
Stood in the heat, the flames, the snow
Please slow down hurricane
The wind blow, my dreads swing
He had hair like wool, like Wayne (huh)
“Stood in the heat, the flames, the snow” refers to all the shit he gets, ie being flamed, but also notes with “the snow” that being misunderstood and with such hostility is cold, which has connotations of being alone, alienation, etc.
“Please slow down hurricane” refers most obviously to Katrina and New Orleans, but also the storm of hositility, etc. The next two lines paint a picture of someone standing before the storm, hair in the wind. I say someone because first he says “my” and then changes the perspective to “he” and lastly, with “like Wayne”. We’ll solve this mystery soon, never fear.
Dropping ashes in the bible
I shake em out and they fall on the rifle
Here, he’s smoking weed, dropping ashes on the Bible, reflecting on the connection between violence and religion, or at least Christianity. So this line touches on hypocrisy, weed being enlightening, his religious conflict, and another dualistic image (the first being flame and snow). As a sidenote, he often relates things in dualities, very yin-yang kind of thing. But he also connects them, in a sense removing the space between them, which to mean, seems Taoist.
Scary, hail Mary no tale fairy
All real very, extraordinary
Perry Mason facing, the barrel if he tattle
My god is my judge, no gown no gavel
The things I just went over are scary. Hail Mary, except this is no fairytale. Here he’s plays on prayer, but that this situation is no joke, no tale, fairy (referring Mary as a fairy?), but is “all real, very extraordinary”
Now, Perry Mason is a reference to a character: http://en.wikipedia.org/wiki/Perry_Mason
I haven’t read or seen anything relating to the character, so I can’t really vouch for this, but the character is a lawyer, so if you don’t want to check the wiki, I guess that’s good. Anyways, it seems he’s comparing himself to Perry Mason facing doom if he caves. But like I said, without knowing the background, I’m just staying outta this line.
The last line here is great. Notice he says MY god as opposed to just God. This illuminates an aspect of his spirituality that he also alludes to in numerous other songs. Basically, his idea of God is different from most people’s. And just as importantly, his judge, his god, isn’t the court system. So in addition to his spirituality, he’s conveying a dislike, disrespect, for the court system. Probably for corruption, racism, and general bullshit. I hear you, Wayne.
Uh, I’m a rebel, down to battle
Now or never, or whenever, in the ever
Fucking fantastic, fuck if you agree
I’m bright but I don’t give a fuck if you see me
Here he further stresses his divide from the mainstream, and says he’s going to combat that bullshit whenever and wherever, or never if need be. Just that he’s going to do what he has to.
Next, he reiterates that he IS smart, and that while he may be misunderstood, he knows his true colors, and that’s what matters. Veiled moral lesson there, kids.
[Chorus- Nina Simone]
I’m just a soul whose intentions are good
Oh lord, please don’t let me be misunderstood
[Verse 2- Lil' Wayne]
Uh, what’s understood ain’t gotta be explained
So for those who understand meet Tha Wayne
Perry Mason These two opening lines for the second verse reflect the same of the first verse, but shift from talking to those that don’t understand to those that do. So since we understand, we can finally meet/see/understand Wayne Carter as a person, not just a commercialized. pre-packaged rapper.
For eight and a half months I gave Ms. Cita pain
Now it’s Young Money baby, keep the change
My momma say fuck ‘em, and we the same
So, hello motherfucker you got some sheets to change
Huh, he was born early, cool. Anyways, these four lines are saying that his mother gave him life through blood and sweat, and he’s repaid that debt by lifting his mother out of poverty and being the best he can be “young money baby, keep the change”. Also, baby can be the generally used slang or as in being born; a young money baby.
His mother says fuck the haters, and he’s his mother’s son.
And ain’t it funny how people change like Easter Sunday
You know church fit them outfit
Though I lose him in the next two, these two lines are clearly referring to the hypocritical nature of (Christian) people, likely how they preach love, peace, tolerance, etc and then turn around and judge, how they just change back and forth on whims. And then he says that “church fit them outfit” which I take to mean that (the) Church matches their hypocrisy. Although:
Bright pink and green chest look house lit
Bright pinky rings but that ain’t about this
I honestly don’t really know what he’s going for here, but besides being a continuation of the previous thought, obviously he’s gotten off topic and says so.
What you ’bout bitch?
Excuse my French emotion in my passion
But I wear my heart on my sleeve like it’s the new fashion
First, he’s challenging/calling out his critics to say what they’re about, what they stand for.
Next, there is a play on the expression “excuse my French” in which he explains that the reason for his blunt honesty is that he wears his heart on his sleeve “like it’s the new fashion”. That backs up the idea that he often has depth, hiding in plain sight. Half of what he says is meaningless (read: Lollipop), but he says it so that the other half may reach you.
What are you asking, if I don’t have the answer
It’s probably on the web, like I’m a damn tarantula
These two lines can be interpreted in two ways, I think. First, he could be referring to specific answers that are theorized by fans (such as this one), or he could be saying that if you’re asking about who he really is, what he believes, anything that you want to understand about him, it’s probably on the web. If that’s true, I would say that he would be using web to mean both internet, and reflect the idea that he is a product of many ideas, all of which are connected at least indirectly, like points on a web. I’m having trouble verbalizing this one, but hopefully you see where I’m going.
But I know you don’t understand
‘Cause you thought Lil’ Wayne is Weezy
But Weezy is Wayne
And here is the moment we’ve all been waiting for. And the answer to that mystery earlier. He expects the listener to be slightly confused (unless you understand, of course), but summarizes his entire point with the idea that Weezy is a part of him and not the other way around. Wayne created Weezy, just as Marshall Mathers/Eminem created Slim Shady (you’ll find that Wayne attempts to synthesize the best/unique aspects of most good rappers). You see, the thing is, Wayne is a director and an actor. He realized, unlike a lot of less-popular but socially-conscious rappers, that if he just straight up preached, he wasn’t going to succeed in doing good for him, his family, or the world. So instead of rejecting the system, he embraced it. And now he’s come to point where he can even influence it.
As he so cleverly says in the remix to Lollipop (which I see as a response to the understandable criticism of the original), he is everywhere, he’s it. Hide and go, he can go anywhere, eenie meenie meinie mo, he’s in your neighborhood (his influence on the suburban youth), be it a stereo, cd, iPod, your girlfriend’s fantasies, etc. And then as a proof of his fuck-you to the government/media/society that wants to control your kids, he tells the kids listening to wear a condom. His last lines of the song could be society saying “wrap it up”, as in knock it off. But, he’s so sweet, she wants to lick the rapper (read: he already has the youth in his palm)
“I am everywhere I’m it like, hide-and-go and I can go anywhere
Eenie-meenie-meinie-mo I’m in your, neighborhood
Area, CD thing, tape deck, iPod your girlfriend
And she say I got great sex
Safe sex is great sex, better wear a latex
‘Cause you don’t want that late text
That “I think I’m late,” text
Eh heh, so wrap it up
Bu-bu-but he’s so sweet, sh-she wanna lick the rapper”
Anyways, in the rest of “Don’t Get It”, Wayne goes on to talk and slightly ramble about racism in America, jails/prisons, the unfair sentences for powder cocaine vs. crack cocaine, how sex offenders are tolerated more than crack dealers, pointing out that the crack dealers sold crack to excape poverty and make it to the suburbs and asking why it’s anyone’s business whether that was HOW they got there, the illogical War on Drugs, how much Al Sharpton sucks, ending with a pretty clever bit on humanity, good and bad.
Now, this song is one of his more open, more consistently introspective, and one that focuses more on a particular theme than flow or soundplay. Also, this song was probably conceived in a moment of blazed brilliance and fully realized in a matter of minutes. At least that’s how my writing comes to me.
If this isn’t enough, I’ll come back with breakdowns of other songs (there are plenty to choose from) and even comparisons to songs from hip hop artists loved by those pretentious elitists who so naively hate Wayne.
Basically, this whole thing is a symptom of a larger problem. Well, probably many problems. First are the obvious (and not-so-obvious) ones, like the ones that Wayne addresses in “Don’t Get It” and his lines about his life in/and New Orleans, and the ones that all those underappreciated socially conscious rappers discuss. But to me, both the unthinking love for Wayne shown by his less thoughtful fans and the semi-thinking hatred of Wayne by his more self-righteous critics are both equally dangerous, for both proudly display their colors of ignorance in a world and country already overwhelmed.
In a word; work your way up to my level.
Shit, you can’t get on my level.
Lastly, if you just hate him because you think he’s gay; if that matters to you, then fuck off and kill yourself so that good people can sleep better. And if you hate him because you think he’s gay because that’s what the Bible tells you to think, that “fuck off” comes in a double dose.
Of Moths and Men
October 1, 2009
This can be rapped to “Dance with the Devil” by Immortal Technique.
—
—
Precious preconceptions illuminate preposterous despotisms
that desperately protect pretentious politicians who
Portray Dorian greyscale renditions in their portraits’ wall positions,
Twixt the sand and the foam, and the book of Hagakure
The 48 laws of power, bring to life one of Algernon’s dead flowers,
Rage, raging against the dying of the light of the fire,
College leaves the lacking of luster to lounge back into arms of a faulty sire while
Shadows dance high on the walls of that long lost cave with the blind that refuse to reach higher,
underground, earthbound sound reverb and rebound from the walls into and around
the uncool, calm and collected curses
that come crying from the echoing sound of silence in our verses,
Men are like moths, fluttering furiously to the flame,
backs borne against the current, we beat on in the same boat and the same game,
we’ll all burn out and fade away, be it a day or a year away, without a name,
less what I want is what I silently fear; to reach the end of the light and find a dark sphere,
but long before the Light comes anywhere near, Death with a grin is all ready and He’s here,
a devilish and dervish angel that came from somewhere, nowhere; st. elsewhere,
whispering; “please, please do not fear me”, and I don’t, but no one here seems to hear me,
For it is on Earth as it is in Heaven, whereas under a black sky we break the bread in our red hands
coughing up green and looking to the sand; Sphinx, riddle me this: where is that promised land?
With an hour-glass in my hand, and with my heart in command,
I’m soul-searching for diamonds in the sea-foam of tropical island strands,
here’s a philosophical lesson with two sides of the same coin in one hand,
a laissez-faire game of go and backgammon, bowtie time like a ribbon, see
chaos evolves in order, like dat old to the new world without the wicked wars and borders,
no pawns, nobles or cockroaches, just sound, emotion, and formerly lost-cause hopefuls.
I’m here like the tour deforce of five rings, listen as that fat flying pig lady sings,
I’m soaring through the first nine floors of Hell like I’m writing on Force wings,
I’m following my soul towards the Light, where my dreams they call me the Mothman,
Tao is like the Force, man, hand me over the Sandman,
I’m still smokin dope, but I’m lost and-
Help me, Erato and Euterpe, you’re my only hope; real talk, man.
Bits and Bins
October 1, 2009
H1N1
October 1, 2009
Like the black Death, I am alive.
I am everywhere, inside the air
and outside the heart.
Stem cells in hand, I place my self in your shoes.
Through your looking glasses, I can see what you feel,
But I do not feel it, and sometimes I am simply not there.
In a distant land, a mirror-imaged Muslim man on a Christian cross hangs in the balance-
his body oily and blood-drenched from the sweat of a war,
as I wipe the sweat from my brow in my studio.
We are nothing alike.
I think to myself as the crescent moon sinks below the stars to pray;
What did the Goths do “when in Rome”?
Unfettered souls don’t merely clash; they collide.
But as order rises from the blunt ashes of chaos,
so too does hope spring forth eternally from our collective unconscious.
Though history often repeats itself, as when the wheel of time turns,
the broken axle bears endlessly leftward
and so our covered caravan retraces its imprints in a spiral.
My power left my reason dumbfounded,
scrambling charts for the truth.
Day-An-Nighte
October 1, 2009
I am a manic hurricane hurtling in place towards the horizon.
But don’t I look at you like I see a new day?
My mind is a swirl of colors thrown into a washing machine.
Et cetera, et cetera, shanti, shanti, newsflash:
Judging from our look inside the eye, this perfect storm is now a tropical depression.
Only once my high is gone, I feel like crying, like buying,
but if my money’s run out, then, now and later, I feel like-
runlovediemaybeliveifwecanwastylerrightiamnotadroneandideserveathronebutnolalalai’mhappy
nowandlaterrepeatrinseandwhereamiandisthisthewayimsupposedtobeifeelcagedinmymindallhail
thecartermessiahlovelivelifeproceedprogressfuckthapoliceandthawhitemanfucksciencemedicine
educationamericameyoueverythingbullshitscreeeaaaammmmm&mstreamofwhateverthefuckicant
thinkmymindisalwaysonfireimhotbutimcold
I just change with seasons.
I am greater than or equal to the caliber of the Soul of Sylar and Peter,
but all work and no play makes even this a dull pen.
I just noticed a painting in my house that I have never seen before, but I’ve seen it everyday that I’ve lived here; I have no home. I am my own home and those few close to me are but extensions.
Does that mean they’re extensions of my soul?
I have so many lines, so many ideas, so many thoughts, so much. Connections everywhere, like truth, an element. Everywhere. Everywhere. Nowhere; what’s the difference (when you zoom out enough). Everything is alive and connected and illuminated all at once and it’s blinding. How do you live under such a light? Everyone needs the night. Dark doesn’t exist merely to be defeated by the light. To think otherwise is unwise. Am I really the only one that sees (sees the genius of tha Carter)? I feel like I’m taking craaaaazy pills! Hahah-
Intuitive aptitude. I understand. I SEE YOU. You cannot hide. I cannot hide. But under these sheets, I am a mess. We’re trading blows, but for what?
WHY
Slow down, Gandhi, you’re killing me. I vomit gray, flashback and to and fro. The masses bid for my heart, but is it worthwhile to lose your heart to save your soul? Vice versa! Like John Locke, I’m Lost in a maze, therefore I am a-maze-ing.
And when my face doesn’t quite match my head, remember what Cee-Lo sang so soulfully. But who’s gonna save mine?
Ah, nevermind! I should accept that I am truly alone, make it my strength or whatever bullshit you all spout in your high school mind and your holiest quasi-education. You, with your hipster posse (would lap this up if you thought I were Derrida) and your self-righteous horse. I’m not tall enough to stand up to God. Don’t you see? The answers are all around us, though admittedly they’re nowhere. But they’re RIGHT THERE. One of us is blind, and one has left the cave. The world locks me in a cage. I have no mouth and I must scre-. Who am I kidding? They don’t need to take my mouth. What good does screaming at a wailing wall do? Also, the wall is made of bullshit.
You can’t possibly-; you all wouldn’t understand anyways.
And that’s the worst part.
The Kingdoms of Light, Dark, and Elsewhere
September 11, 2009
The Kingdom of Dark
There was once a blind man that lived in the dark.
For years on end, he lived in darkness and silence, passive and thoughtful,
Creating sounds for the objects his limbs could touch.
He touched a surface and called it “table”.
He felt the blood of life and called it “water”.
In time, and quickly, he became aware of feeling; a living thing.
An idea. Infinite, it brought form to the formless.
He called it “sight.”
The Kingdom of Light
There was once a mute woman that died in the light.
For a moment, all was white, full, vibrant; alive.
She created ideas for all the objects she could see but not feel.
She saw water and called it “art”.
She heard music and called it “love”.
When she died, she woke up and said, “Speak.”
The Kingdom of Elsewhere
There were once a man and a woman that lived and died in a garden.
There was once a god who was a circle.
The circle existed and ceased, was and was not.
As alpha and omega, beginning and end.
The clouds roll through space and shower the sky with stars.
In the beginning, God created the heavens and the earth.
Our Father
September 11, 2009
Our Father, who art nowhere if not in Heaven,
What hath you forsaken us to?
Why hath you forsaken us so?
Hath you truly left us to ourselves and own (de)Vices,
To survive, alone and lost, the whims of the Universe?
But ever hallowed be thy name;
As long as cushioned pews of a church bring comfort to the souls of His Christians,
Blindly, but still, they work to bring thy kingdom come;
For what Noble Lie shall thy will be done?
And in my heart, I fear it is in Earth as it is in Heaven.
Give us this day our daily bread. though the wine is surely poison,
And whilst half your flock is rabid, you lull the rest into your House,
Affording them an hour of conscience free of guilt,
Allowing them to forget their troubles of others.
And forgive us our trespasses, O cruel Lord,
Whose only begotten Shepard is left to die among the wolves.
For even we forgive them that trespass against us.
But prayers don’t feed children, confessions don’t erase blood,
And Church-pews hold no salvation for the suffering and sick;
And yet you lead us not into temptation; for that is our mortal curse,
and your immortal gift of uncertainty, admit a sliver of lining,
But yet your silver-tongue whispers love; deliver us from evil-,
God has no time for His children who aren’t around to be saved by the toll.
So tell me, my judge, why does Church feel as a court, and Mass like a trial?
[For thine is the kingdom,
the power, and the glory,
for ever and ever.]
Amen.
Hail Mary
March 3, 2009
Yeah, you’re pretty cute, but damn, do you talk too much.
You’ve got to spend some time, love; inhale, exhale, listen to the world, and such,
I think you’ll find you can be so much more;
well, actually, it turns out I’m not all that sure.
but there is no time like the present to regain lost footing
and at least we live in a beautiful world
now and at the hour of our death.
Visions for the Communiity
March 3, 2009
The stars bleed out, having tried their best to woo us with the passion of the Cosmos,
but now a ringed nebula crowns and lays to rest what the mind of Man calls Logos.
Ice cold debris tumble-weeds, lifeless, through the heart of darkness,
the minutes became seconds and too soon it was midnight,
And when time ceased to tick and tock,
and upon us, Death came to knock.
The truth was, we lost our minds to faith false and immaterial.
But the present question is, is it then our fate to simply start and end with the corporeal?
But even tyrants would surely screw to save their own race…
so how about we just reallocate the funds for this year’s nuclear arms race?
And together we could reach, reach and become so much more!
So let’s rage, rage against the dying of the light before-
The quiet American with the radioactive rifle crouches,
and with a single shot, kills the beast where it so casually slouches.
The Seed 1.4
March 3, 2009
Let’s kickstart the apocalypse and sky rocket the death toll
lock yourself in a mis-named vault and name your children Rock and Roll,
I guess we really had to fall to lose it all, that’s all she wrote,
don’t, no don’t sink the boat, too late, she sank,
clubbed to death by the ice cold truth, though sometimes I see Death’s robe as more chartruse
perhaps its just a ruse and God is a prankster,
though I admit the weed just keeps getting danker,
I smoke too much, but I’m used to vacations
from my previously constant sobriety, go to a place where I can forget the ills of society,
it’s almost a better perception of reality, I wonder if one day we’ll get high in a virtual reality,
unless this is the Matrix, in which case I’m Neo, no wait,
I’ll fight Neo, he’s not the One, nothing is reduced to fate,
we all have hands in his together, but there can be only some,
so in this analogy, wars are fought with a thumb, and in this war, you might as well be dumb,
since you negiotiate with your army-I mean, thumb, shit that was dumb, moving on,
hopefully the other player doesn’t get carried away, and proliferate those handy nukes over your way,
forget diplomacy now, past is the time for parlée, it’s high time we who would be pirates had our day
and we won’t compromise for anyone, so let lay Henry Clay,
if war is coming, this prince would see it done now rather than later,
so be careful when you misuse and mis-accuse of misogyny, woman; I don’t hate her,
Back off, relax, and take a second look, pull your ass out of the book,
it can’t help you here, reason this one out, might take a couple routes
through your mind until you can free your mind,
There is no way to be free if you adhere first and foremost to hypocrisy,
it’s kind of a pet peeve for me, and yes, I’m well aware of the irony.
We may all be hypocritical to some extent, but at least I’m honest,
So now that’d I’ve uncovered the process to put you on the way to being whole,
lock yourself in your mis-named cell and listen to some rock and roll.
Watch the Chicago snow whirlwind and swirl round and round
spiraling chaotically as they near the ground,
they mirror your flawed ideology, as from the above you can clearly see,
so bite the irony that grips your tongue and listen to me, listen to me.
And kindly don’t self righteously spew anger towards me,
don’t hate the player, hate the game, there’s no shame
in defeat, I’m just a messenger, and here’s your subpoena.
You can forgive, but I can never forget, and revenge and regret weigh heavily on your soul
so you lock yourself in a mis-named tomb and die to a track of lively rock and roll.
My Elastic (Mind’s) Eye and Rubber Soul?
March 3, 2009
I don’t think I ever seen so many headlights,
they claim to light my way, but something’s not right,
nowhere to run, so I guess that counts out flight,
ah well, I could handle a fight, but what will I think in hindsight?
I can’t decide whether to join them or fight them.
Maybe the best way to destroy something is from within,
like the soul, elastic, it’s funny how much we relate to plastic,
although we use it every day.
My eyes are elastic and my soul is made of rubber.