A lengthy defense of Lil Wayne.
October 4, 2009
Now, you may have seen that stories floating around about how the smartest kids listen to beethoven and the dumbest listen to Lil Wayne. Well, what the stories don’t take into consideration is that the standard for a kid being “intelligent” was based on high school grades. And in my experience, that only barely correlates with grades. Secondly, kids who aim to appear smart will probably be more inclined to both listen to Beethoven and report it for the social rep. Basically, I’m saying that the study is more or less bullshit. That being said, Lil Wayne does have tons of stupid ass fans. But maybe that just means he’s clever enough to ensnare them all. And before you respond with something not-so-clever about how shitty he is, here’s WHY you should just swallow your words and concede the point.
First, you need to be open-minded when Wayne says he’s a “martian”, “misunderstood”, and tries to distance himself from the rest of mainstream hip hop. It is always valuable to give someone/thing the benefit of the doubt, the chance to argue their case, etc, before you pass judgement.
Second, you need to approach lyrics as you would poetry, literature, or anything else of the sort; with a critical eye, aware of potential, underlying meanings and subtle connections that may not be immediately or readily apparent. Think of songs and albums as chapters and volumes. Lil Wayne loves sound. He loves nonsense wordplay and non sequiter metaphors, religious references, ambiguous allusions, and streams of consciousness; surreal, non-linear, but with a method to the madness. But most of all, he loves combining all of the above and playing tricks on the pseudo-intelligent, disguising brilliance in plain sight underneath a veil of self-promotion and what those rapper folk like to call “swagger”. And all the while, he matches the beat like they’re soulmates. Or not, if that’s what he wants.
Third, keep this quote in mind: “Half of what I say is meaningless, but I say it so that the other half may reach you.”
Fourth, it helps if you smoke weed because you can better relate to the state of mind needed to appreciate this
Now I’m going to basically (over) analyze one of Wayne’s songs. However, I won’t even touch on things like flow, sound, or anything stylistic like that. Merely the lyrical content. And that’s where most of the criticism leveled at him aims at.
“Don’t Get It (Misunderstood)”
[Nina Simone]
Baby, you understand me now
If sometimes you see that I’m mad
Don’t you know no one alive can always be an angel
When everything goes wrong, you see some bad
[Chorus- Nina Simone]
But I’m just a soul whose intentions are good
Oh lord, please don’t let me be misunderstood
All right, so there’s the thesis; I’m just trying to do right, so “please don’t let me be misunderstood”.
[Verse 1- Lil' Wayne]
Uh, misunderstood ain’t gotta be explained
But you don’t understand me so let me explain (heh heh)
This opening is, obviously, a play on the idea of understanding. Everyone knows what that means, but since the listener doesn’t understand Wayne, he’s going to explain.
Stood in the heat, the flames, the snow
Please slow down hurricane
The wind blow, my dreads swing
He had hair like wool, like Wayne (huh)
“Stood in the heat, the flames, the snow” refers to all the shit he gets, ie being flamed, but also notes with “the snow” that being misunderstood and with such hostility is cold, which has connotations of being alone, alienation, etc.
“Please slow down hurricane” refers most obviously to Katrina and New Orleans, but also the storm of hositility, etc. The next two lines paint a picture of someone standing before the storm, hair in the wind. I say someone because first he says “my” and then changes the perspective to “he” and lastly, with “like Wayne”. We’ll solve this mystery soon, never fear.
Dropping ashes in the bible
I shake em out and they fall on the rifle
Here, he’s smoking weed, dropping ashes on the Bible, reflecting on the connection between violence and religion, or at least Christianity. So this line touches on hypocrisy, weed being enlightening, his religious conflict, and another dualistic image (the first being flame and snow). As a sidenote, he often relates things in dualities, very yin-yang kind of thing. But he also connects them, in a sense removing the space between them, which to mean, seems Taoist.
Scary, hail Mary no tale fairy
All real very, extraordinary
Perry Mason facing, the barrel if he tattle
My god is my judge, no gown no gavel
The things I just went over are scary. Hail Mary, except this is no fairytale. Here he’s plays on prayer, but that this situation is no joke, no tale, fairy (referring Mary as a fairy?), but is “all real, very extraordinary”
Now, Perry Mason is a reference to a character: http://en.wikipedia.org/wiki/Perry_Mason
I haven’t read or seen anything relating to the character, so I can’t really vouch for this, but the character is a lawyer, so if you don’t want to check the wiki, I guess that’s good. Anyways, it seems he’s comparing himself to Perry Mason facing doom if he caves. But like I said, without knowing the background, I’m just staying outta this line.
The last line here is great. Notice he says MY god as opposed to just God. This illuminates an aspect of his spirituality that he also alludes to in numerous other songs. Basically, his idea of God is different from most people’s. And just as importantly, his judge, his god, isn’t the court system. So in addition to his spirituality, he’s conveying a dislike, disrespect, for the court system. Probably for corruption, racism, and general bullshit. I hear you, Wayne.
Uh, I’m a rebel, down to battle
Now or never, or whenever, in the ever
Fucking fantastic, fuck if you agree
I’m bright but I don’t give a fuck if you see me
Here he further stresses his divide from the mainstream, and says he’s going to combat that bullshit whenever and wherever, or never if need be. Just that he’s going to do what he has to.
Next, he reiterates that he IS smart, and that while he may be misunderstood, he knows his true colors, and that’s what matters. Veiled moral lesson there, kids.
[Chorus- Nina Simone]
I’m just a soul whose intentions are good
Oh lord, please don’t let me be misunderstood
[Verse 2- Lil' Wayne]
Uh, what’s understood ain’t gotta be explained
So for those who understand meet Tha Wayne
Perry Mason These two opening lines for the second verse reflect the same of the first verse, but shift from talking to those that don’t understand to those that do. So since we understand, we can finally meet/see/understand Wayne Carter as a person, not just a commercialized. pre-packaged rapper.
For eight and a half months I gave Ms. Cita pain
Now it’s Young Money baby, keep the change
My momma say fuck ‘em, and we the same
So, hello motherfucker you got some sheets to change
Huh, he was born early, cool. Anyways, these four lines are saying that his mother gave him life through blood and sweat, and he’s repaid that debt by lifting his mother out of poverty and being the best he can be “young money baby, keep the change”. Also, baby can be the generally used slang or as in being born; a young money baby.
His mother says fuck the haters, and he’s his mother’s son.
And ain’t it funny how people change like Easter Sunday
You know church fit them outfit
Though I lose him in the next two, these two lines are clearly referring to the hypocritical nature of (Christian) people, likely how they preach love, peace, tolerance, etc and then turn around and judge, how they just change back and forth on whims. And then he says that “church fit them outfit” which I take to mean that (the) Church matches their hypocrisy. Although:
Bright pink and green chest look house lit
Bright pinky rings but that ain’t about this
I honestly don’t really know what he’s going for here, but besides being a continuation of the previous thought, obviously he’s gotten off topic and says so.
What you ’bout bitch?
Excuse my French emotion in my passion
But I wear my heart on my sleeve like it’s the new fashion
First, he’s challenging/calling out his critics to say what they’re about, what they stand for.
Next, there is a play on the expression “excuse my French” in which he explains that the reason for his blunt honesty is that he wears his heart on his sleeve “like it’s the new fashion”. That backs up the idea that he often has depth, hiding in plain sight. Half of what he says is meaningless (read: Lollipop), but he says it so that the other half may reach you.
What are you asking, if I don’t have the answer
It’s probably on the web, like I’m a damn tarantula
These two lines can be interpreted in two ways, I think. First, he could be referring to specific answers that are theorized by fans (such as this one), or he could be saying that if you’re asking about who he really is, what he believes, anything that you want to understand about him, it’s probably on the web. If that’s true, I would say that he would be using web to mean both internet, and reflect the idea that he is a product of many ideas, all of which are connected at least indirectly, like points on a web. I’m having trouble verbalizing this one, but hopefully you see where I’m going.
But I know you don’t understand
‘Cause you thought Lil’ Wayne is Weezy
But Weezy is Wayne
And here is the moment we’ve all been waiting for. And the answer to that mystery earlier. He expects the listener to be slightly confused (unless you understand, of course), but summarizes his entire point with the idea that Weezy is a part of him and not the other way around. Wayne created Weezy, just as Marshall Mathers/Eminem created Slim Shady (you’ll find that Wayne attempts to synthesize the best/unique aspects of most good rappers). You see, the thing is, Wayne is a director and an actor. He realized, unlike a lot of less-popular but socially-conscious rappers, that if he just straight up preached, he wasn’t going to succeed in doing good for him, his family, or the world. So instead of rejecting the system, he embraced it. And now he’s come to point where he can even influence it.
As he so cleverly says in the remix to Lollipop (which I see as a response to the understandable criticism of the original), he is everywhere, he’s it. Hide and go, he can go anywhere, eenie meenie meinie mo, he’s in your neighborhood (his influence on the suburban youth), be it a stereo, cd, iPod, your girlfriend’s fantasies, etc. And then as a proof of his fuck-you to the government/media/society that wants to control your kids, he tells the kids listening to wear a condom. His last lines of the song could be society saying “wrap it up”, as in knock it off. But, he’s so sweet, she wants to lick the rapper (read: he already has the youth in his palm)
“I am everywhere I’m it like, hide-and-go and I can go anywhere
Eenie-meenie-meinie-mo I’m in your, neighborhood
Area, CD thing, tape deck, iPod your girlfriend
And she say I got great sex
Safe sex is great sex, better wear a latex
‘Cause you don’t want that late text
That “I think I’m late,” text
Eh heh, so wrap it up
Bu-bu-but he’s so sweet, sh-she wanna lick the rapper”
Anyways, in the rest of “Don’t Get It”, Wayne goes on to talk and slightly ramble about racism in America, jails/prisons, the unfair sentences for powder cocaine vs. crack cocaine, how sex offenders are tolerated more than crack dealers, pointing out that the crack dealers sold crack to excape poverty and make it to the suburbs and asking why it’s anyone’s business whether that was HOW they got there, the illogical War on Drugs, how much Al Sharpton sucks, ending with a pretty clever bit on humanity, good and bad.
Now, this song is one of his more open, more consistently introspective, and one that focuses more on a particular theme than flow or soundplay. Also, this song was probably conceived in a moment of blazed brilliance and fully realized in a matter of minutes. At least that’s how my writing comes to me.
If this isn’t enough, I’ll come back with breakdowns of other songs (there are plenty to choose from) and even comparisons to songs from hip hop artists loved by those pretentious elitists who so naively hate Wayne.
Basically, this whole thing is a symptom of a larger problem. Well, probably many problems. First are the obvious (and not-so-obvious) ones, like the ones that Wayne addresses in “Don’t Get It” and his lines about his life in/and New Orleans, and the ones that all those underappreciated socially conscious rappers discuss. But to me, both the unthinking love for Wayne shown by his less thoughtful fans and the semi-thinking hatred of Wayne by his more self-righteous critics are both equally dangerous, for both proudly display their colors of ignorance in a world and country already overwhelmed.
In a word; work your way up to my level.
Shit, you can’t get on my level.
Lastly, if you just hate him because you think he’s gay; if that matters to you, then fuck off and kill yourself so that good people can sleep better. And if you hate him because you think he’s gay because that’s what the Bible tells you to think, that “fuck off” comes in a double dose.
The Kingdoms of Light, Dark, and Elsewhere
September 11, 2009
The Kingdom of Dark
There was once a blind man that lived in the dark.
For years on end, he lived in darkness and silence, passive and thoughtful,
Creating sounds for the objects his limbs could touch.
He touched a surface and called it “table”.
He felt the blood of life and called it “water”.
In time, and quickly, he became aware of feeling; a living thing.
An idea. Infinite, it brought form to the formless.
He called it “sight.”
The Kingdom of Light
There was once a mute woman that died in the light.
For a moment, all was white, full, vibrant; alive.
She created ideas for all the objects she could see but not feel.
She saw water and called it “art”.
She heard music and called it “love”.
When she died, she woke up and said, “Speak.”
The Kingdom of Elsewhere
There were once a man and a woman that lived and died in a garden.
There was once a god who was a circle.
The circle existed and ceased, was and was not.
As alpha and omega, beginning and end.
The clouds roll through space and shower the sky with stars.
In the beginning, God created the heavens and the earth.
Man may rule the world,
but He cowers before the certainty
of death
Men often sh-sh-shudder in contemplation
Of that doorway, that potential
- void,
they fear their existence will cease in
one.
lonesome.
moment.
Not with a bang, but a whimper.
I fear the harbinger of death.
That is, I fear dying.
To burn, drown or bleed out,
to be drawn, hung, and/or quartered,
that I fear far more than the unknown.
The unknown is the New World, the New Life.
The unknown is the final frontier,
-at least the next, or so I pray!
When our bodies give way to age and decay,
if we continue to exist,
Hell be damned!
for I shall rejoice.
To clarify, my dear reader,
I see death not as an end,
but a means to end.
The end that is understanding.
Of the world, of life, of existence, of reality.
But I think ne’er shall I find such an answer,
as to finally settle my mind.
Not until death shall my mind rest easy.
I shall live my life in that pursuit,
foregoing all else until I burn out.
The truth will set me free.
Make Your Own Kind of Music
April 23, 2008
Most of my good friends know that I have this whole rebel thing. Well, okay, everyone knows that.
Most of my good friends know that I want to join the Peace Corp, that I have this whole humanitarian thing. That I try to think about the big picture, I seek answers to those impossibly big questions.
But here’s one of my dilemnas, and I have probably talked about this in another blog:
All that is based on the idea that “good” and “right v. wrong” have some sort of basis, even if I feel like there is a lot of gray. I still operate on that basis. But if there is no God, no afterlife, nothing but us, here, and all by random scientific happenstance, then right and wrong are but illusions of our minds. Assuming that, then I am no more or less than the “worst” child molester or mass murderer of history.
Which reminds me, I have an odd fondness for crime. Not like rape, but more of a apathy towards murder and the lust for gunrunning and robbery. Jesse James!
Maybe I shouldn’t say that stuff so publicly.
I dream of a world where we who would be kings had our day.
Rest easy.
Lost in Mass Production
March 30, 2008
Ever since the dawn of the human race, man has watched the heavens. Man has watched the birds, the stars, the clouds, the skies. And man has yearned and dreamed of flight. From Icarus to da Vinci, the power of flight has been present in mythology as well as the scientific and technological motivations of the human mind.
And a little over one hundred years ago, man achieved that dream. Man, having conquered the earth’s surface, had taken his first step towards conquering the air. And in 60 short years, man furthered his conquest of the deep sea, rapidly advanced his aircraft, and beyond; he went right through the atmosphere and into space, landing a man on the Moon.
Now, as I walked through the airports, I noticed something tragic. No one notices that anymore. When I fly, I can’t stop gazing out the window. I mean, I constantly just think about it. Flight. So new, yet taken for granted. People, caught up in the hustle and bustle of American and generally modern life, flying to and fro as it were nothing.
I admit, it kind of hurts the experience, to see it so cheapened by the food court-mall corporate parasite that leeches off travelers.
I think that this problem, the way everyone is so caught up in material-driven lives, is permeating throughout too many walks and aspects of life.
I want to travel from inn to inn on horseback, trading my assistance on the land or town for a warm meal and bed.
I also want a lightsaber, but that’s not really on topic.
I’ll read this in the morning and see what I need to change/add/delete.
Cheers.